"You Call Me A Bitch Like It's A Bad Thing" video: Samples are included or you can check out my YouTube videos that have been synced to this audio source. This biases the recording from the stage-left stack (in the right microphone) so I added +1 dB to the left channel.īecause past recordings at this venue have turned out to be a bit "boomy" I set my bass rolloff a little higher than usual at 107 Hz and added 2 dB to the mids (400-1200 Hz) with a little post-production Eq. To the stage-left side of the stage is a mezzanine at the same elevation as the stage that also offers the advantage of a bar rail for setting your drink, camera, or gear. The main floor tends to be packed, hot, and raucous with mosh-pits and body surfing (even at shows where these activities may not be quite appropriate). Waited outside for 2 hours in the 0☏/-18☌ weather to ensure that I got the "sweet spot" in this venue.
#Halestorm innocence cover full
Great show on a freezing cold, full house, Friday night. flac using Traders Little Helper (SBE's fixed, flac level 8) Recorded by Hurricane62 from immediately to the front of the stage-left corner of the stage, just above floor level on side mezzanine.Īudio Technica SP-CMC-2 Cardioid Mics -> SP-SPSB-11 Battery Box with Bass Rolloff set at 107 Hz -> Sony PCM-M10 (44.1 MHz/16 bit) with Limiter ON and Low Pass Filter OFF -> WavePad (Eq & track splitting) -> Audacity (+1 dB Left channel for balance) -> converted to.
05 You Call Me A Bitch Like It's A Bad Thingġ7 Dissident Aggressor (Judas Priest Cover)